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"La cumparsita" is a tango written in 1916 by the Uruguayan musician Gerardo Matos Rodríguez, with lyrics by Pascual Contursi and Enrique Pedro Maroni. It is among the most famous and recognizable tangos of all time. Roberto Firpo, director and pianist of the orchestra that premiered the song, added parts of his tangos "La Gaucha Manuela" and "Curda Completa" to Matos' carnival march ("La Cumparsita"), resulting in "La cumparsita" as it is currently known.〔("La cumparsita", the great collaboration of Roberto Firpo. )〕〔(History of "La Cumparsita" )〕 The title translates as "the little parade", and the first version was a tune with no lyrics. Later, Pascual Contursi wrote words to make the most popular version of the song. The lyrics begin: "The little parade of endless miseries..." ==History== The song was originally a march, whose melody was composed in early 1916 by an architecture student in Montevideo, an 18-year-old man named Gerardo Hernán "Becho" Matos Rodríguez, the son of Montevideo's Moulin Rouge nightclub proprietor Emilio Matos. On 8 February 1916, Matos Rodríguez had his friend Manuel Barca show orchestra leader Roberto Firpo the music in the cafe called La Giralda. Firpo looked at the music and quickly determined that he could make it into a tango. As presented to him it had two sections; Firpo added a third part taken from his own little-known tangos "La gaucha Manuela" and "Curda completa", and also used a portion of the song "Miserere" by Giuseppe Verdi from the opera ''Il trovatore''. Years later, Firpo reported the historic moment as follows: Firpo recorded the song in November 1916 for Odeon Records: Odeon release number 483.〔 He used the recording studio of Max Glücksmann in Buenos Aires, and employed two violinists, one bandoneón player (Juan Bautista "Bachicha" Deambrogio), and one flute player to join him as bandleader on piano. The song was pressed as the B-side of a 78 rpm release, and had only a modest success, fading in familiarity after several years.〔 Lyrics to the song were written by the Argentine Pascual Contursi in 1924, and soon became a hit. This version of the song is considered the most widely known tango song in the world, closely followed by "El Choclo".〔(The 90's "Tango of the tangos" )〕 Contursi recorded the song under the title "Si Supieras" ("If you knew"). Living in Paris at that time, Matos Rodríguez discovered, that the song was a big hit, when he talked with Uruguayan violinist and tango orchestra leader Francisco Canaro, who was playing the tune at Paris engagements as "Si Supieras". Canaro told Matos Rodríguez the song was "all the rage by all the orchestras".〔 Matos Rodríguez spent the next two decades in various court battles over royalties, and finally succeeded in ensuring, that "La cumparsita" was re-established as the title of the song. However, Contursi's lyrics became intimately associated with the song. Canaro formulated a binding agreement in 1948, one which would end the lawsuits. He determined that 20 percent of all royalties would go to the estates of the lyricist Contursi and his business partner Enrique P. Maroni. The other 80 percent of recording royalties would go to the estate of Matos Rodríguez. Canaro established, that future sheet music printings would show Contursi's lyrics in addition to less well-known ones written by Matos Rodríguez, and no other lyrics.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「La cumparsita」の詳細全文を読む スポンサード リンク
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